The Moses
In this essay, the author engages the Moses, a sculpture by Michelangelo, as a transformational object. He does so in light of psychoanalytic interpretations of the statue, including Sigmund Freud's (who referred to his essay on the Moses as "a joke"), as well as three psychoanalytic...
Main Author: | |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Springer Science Business Media B. V.
[2019]
|
In: |
Pastoral psychology
Year: 2019, Volume: 68, Issue: 6, Pages: 619-637 |
RelBib Classification: | CE Christian art HB Old Testament KAG Church history 1500-1648; Reformation; humanism; Renaissance KDB Roman Catholic Church ZD Psychology |
Further subjects: | B
Christopher Bollas
B Sigmund Freud B Michelangelo B Transformational object B Humor |
Online Access: |
Volltext (Resolving-System) |
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520 | |a In this essay, the author engages the Moses, a sculpture by Michelangelo, as a transformational object. He does so in light of psychoanalytic interpretations of the statue, including Sigmund Freud's (who referred to his essay on the Moses as "a joke"), as well as three psychoanalytic interpretations after Freud. While drawing on and combining features of all of these psychoanalytic interpretations, the author makes particular use of Moshe Halevi Spero's interpretation to affirm a reading of the Moses as representing a paternal figure who not only gives up his anger (and power to castrate) but also actively nourishes his children like a nursing mother. The author also understands Freud's essay on the Moses to be a form of teasing, which, in part, is why it has been a transformational object for him. | ||
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