Decorated Women: A Sociological Approach to the Function of Cosmetics in the Books of Esther and Ruth
The use of cosmetic oils by the heroines of the books of Esther and Ruth is frequently interpreted as a means to enhance their beauty and allurement. Cosmetic use in the Hebrew Bible is routinely condemned, and yet Esther and Ruth receive no censure for their actions. By utilising a sociological app...
Main Author: | |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Brill
[2019]
|
In: |
Biblical interpretation
Year: 2019, Volume: 27, Issue: 3, Pages: 354-371 |
Standardized Subjects / Keyword chains: | B
Esther Biblical character
/ Ruth Biblical character
/ Esther
/ Ruth
/ Cosmetic
/ Body jewelry
/ Speech act
/ Communication
/ Social status
/ Sexuality
|
RelBib Classification: | HB Old Testament HH Archaeology NCF Sexual ethics TC Pre-Christian history ; Ancient Near East ZB Sociology |
Further subjects: | B
Ruth
B Hebrew Bible B Esther B Cosmetics B body adornment B sociological approach |
Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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520 | |a The use of cosmetic oils by the heroines of the books of Esther and Ruth is frequently interpreted as a means to enhance their beauty and allurement. Cosmetic use in the Hebrew Bible is routinely condemned, and yet Esther and Ruth receive no censure for their actions. By utilising a sociological approach to the function of cosmetics and body adornment alongside archaeological and textual evidence from ancient Palestine, in this article I consider the use of cosmetics akin to a speech act, able to communicate the social status and sexual intentions of the wearer to those around them. This perspective provides a new access to understanding the characterisation of Esther and Ruth, showing that their intentions in utilising cosmetic oils fundamentally differs in the two books. This has implications for understanding some of the narrative elements within the tales, as well as their reception at the hands of later interpreters. | ||
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