Apocalypse as critical dystopia in modern popular music
The last book of the New Testament has inspired countless narratives and cultural productions. In the realm of popular music the Apocalypse was embraced as synonymous of imminent catastrophe, generating a dystopian discourse. As a tool for analysis, the concept of "critical dystopia" has b...
| Published in: | Journal for religion, film and media |
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| Main Author: | |
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Institut f. Fundamentaltheologie
[2019]
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| In: |
Journal for religion, film and media
Year: 2019, Volume: 5, Issue: 2, Pages: 69-94 |
| Standardized Subjects / Keyword chains: | B
Revelation
/ End of the world
/ Rock music
/ Anti-Utopian
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| RelBib Classification: | AD Sociology of religion; religious policy AG Religious life; material religion CD Christianity and Culture NBQ Eschatology |
| Further subjects: | B
Authenticity
B Popular Music B Apocalypse B Critical Dystopia |
| Online Access: |
Volltext (doi) Volltext (kostenfrei) |
| Summary: | The last book of the New Testament has inspired countless narratives and cultural productions. In the realm of popular music the Apocalypse was embraced as synonymous of imminent catastrophe, generating a dystopian discourse. As a tool for analysis, the concept of "critical dystopia" has built a useful bridge between apocalyptic menaces, re-enchantment of the world, and social protest. On the other hand, "authenticity" is a sacred dimension within rock, the antidote of commercialism. This paper has two parts: first a conceptual review of the state of the questions and debate involved; and second, an exposition of selected songs, followed by a summary of their main traits. |
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| ISSN: | 2617-3697 |
| Contains: | Enthalten in: Journal for religion, film and media
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| Persistent identifiers: | DOI: 10.25364/05.05:2019.2.5 |