Marriage and its representations in Classical Hollywood Comedy (1934-1945): Stanley Cavell, the concept of skepticism and Kierkegaard's legacy

This article explores the questions of marriage and divorce as discussed by Stanley Cavell in his study of Classical Hollywood comedies, dubbing what he considered as a popular subgenre of the American comedy of the thirties and forties: the "comedy of remarriage". We will focus on Cavell&...

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Bibliographic Details
Published in:Journal for religion, film and media
Main Author: El-Khoury, Toufic Ishaya (Author)
Format: Electronic Article
Language:English
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Published: Institut f. Fundamentaltheologie [2018]
In: Journal for religion, film and media
Standardized Subjects / Keyword chains:B Cavell, Stanley 1926-2018, Pursuits of happiness / The awful truth / Marriage (Motif) / Divorce (Motif) / Remarriage / Film comedy / Scepticism
RelBib Classification:CB Christian life; spirituality
CD Christianity and Culture
KBQ North America
ZB Sociology
Further subjects:B Cinematic Representation of Marriage
B Marriage in Hollywood Cinema
B Stanley Cavell
B Kierkegaard
B Scepticism
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Description
Summary:This article explores the questions of marriage and divorce as discussed by Stanley Cavell in his study of Classical Hollywood comedies, dubbing what he considered as a popular subgenre of the American comedy of the thirties and forties: the "comedy of remarriage". We will focus on Cavell's analysis of a series of films, and the way these comedies belong to a specific American school of thought, with a case study of The Awful Truth (Leo McCarey, US 1937). We will then try to identify, in Cavell's original approach of marriage and divorce in the light of his discussion of philosophical skepticism, traces of Kierkegaard's moral legacy, by way of Wittgenstein's influence on the American thinker.
ISSN:2617-3697
Contains:Enthalten in: Journal for religion, film and media
Persistent identifiers:DOI: 10.25364/05.4:2018.2.2