Immanent frames: postsecular cinema between Malick and von Trier

9 The Immortal Thighs of Ines Orsini: The Transcendence of Grace in Denys Arcand's The Barbarian InvasionsIntroduction; The Profanation of the Sacred; Cielo sulla palude: The "Accursed Film"; The Invasion of the Barbarians; The Transcendence of Grace; "The Girl Who Said No";...

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Bibliographic Details
Contributors: Cauchi, Mark 1972- (Editor) ; Caruana, John 1966- (Other)
Format: Electronic Book
Language:English
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Published: Albany State University of New York Press [2018]
In:Year: 2018
Series/Journal:The SUNY series, horizons of cinema
Further subjects:B Religion in motion pictures
B Motion Pictures Religious aspects
B Motion pictures ; Religious aspects
B PERFORMING ARTS ; Reference
B Electronic books
Online Access: Volltext (lizenzpflichtig)
Description
Summary:9 The Immortal Thighs of Ines Orsini: The Transcendence of Grace in Denys Arcand's The Barbarian InvasionsIntroduction; The Profanation of the Sacred; Cielo sulla palude: The "Accursed Film"; The Invasion of the Barbarians; The Transcendence of Grace; "The Girl Who Said No"; The Sacralization of the Profane; Coda; Notes; Bibliography; 10 Three Immersions: Mouchette, Vagabond, Rosetta; Notes; 11 "Put Yourself in My Place": Two Days, One Night and the Journey Back to Life; "Love Thy Neighbor"; "Put Yourself in My Place"; Solidarity, Religiere; Notes
Art, Religion, and PhilosophyContemporary Art of the Sublime; The Tree of Life; Fragmented Narrative; Hermeneutic Sublimation; The Postsecular Sublime; Notes; 3 Repetition and Belief: A Kierkegaardian Reading of Malick's The Tree of Life; Kierkegaard: The Missing Third in Malick's Philosophical Triad; Repetition and Belief in Malick's The Tree of Life; Notes; 4 Toward and Away from the World: Subjectivity After Loss in The Tree of Life; Notes; 5 The Death of God and the Genesis of Worldhood in von Trier's Melancholia; The End of the Secularist World; Resurrecting the Death of God
Creation ex nihiloNotes; 6 Notes on Divine Homelessness: A Reading of Lars von Trier's Dogville; Theologia ludens; A (Trick-)Playing God; A Homeless God; The Politics of Despair; Notes; Bibliography; Part II: The Spectrum of Postsecular Cinema: Beyond Malick and von Trier; 7 Face to Face with Chantal Akerman; Notes; 8 "There's No Point in Killing a Bad Priest": John Michael McDonagh's Calvary and the Broken Middle; Introduction; Film and Religion between Immanence and Transcendence; The Broken Middle; Christianity, Mythology, and the Cosmological; Calvary: A Film Maudit?; Notes
Intro; Contents; Illustrations; Acknowledgments; What Is Postsecular Cinema? An Introduction; Notes; Part I: The Poles of Postsecular Cinema: Malick and von Trier; 1 Two Ways through Life: Postsecular Visions in Melancholia and The Tree of Life; Transcendence and Immanence: The Tree of Life and Melancholia; The Way of Transcendence: The Tree of Life; The Way of Immanence: Melancholia; The "Affective Sublime"; Notes; Bibliography; 2 Hegel, Malick, and the Postsecular Sublime; The Hegelian Sublime; Symbolic Art-Form; Symbolism of the Sublime; Art of the Sublime; Truth and the Sublime
Part III: Conversations on Postsecular Cinema: Luc Dardenne and Jean-Luc Nancy12 Can We Think the Inconsolable without Consolation? An Interview with Luc Dardenne; Notes; 13 Could It Be that Cinema Itself Is Contemporaneity? A Conversation with Jean-Luc Nancy; Note; Contributors; Index
Item Description:Includes bibliographical references and index
ISBN:1438470185