Apocalyptic geographies: religion, media, and the American landscape
Evangelical Space. Thomas Cole and the Landscape of Evangelical Print -- Abolitionist Mediascapes: The American Anti-Slavery Society and the Sacred Geography of Emancipation -- The Human Medium: Harriet Beecher Stowe and the New-York Evangelist -- Geographies of the Secular. Pilgrimage to the ...
| Subtitles: | Religion, media, and the American landscape, 1820-1860 |
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| Main Author: | |
| Format: | Print Book |
| Language: | English |
| Subito Delivery Service: | Order now. |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Princeton Oxford
Princeton University Press
[2020]
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| In: | Year: 2020 |
| Standardized Subjects / Keyword chains: | B
USA
/ Evangelical movement
/ Literature
/ Painting
/ Landscape (Motif)
/ Spirituality
/ History
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| Further subjects: | B
Evangelicalism in literature
B Landscapes in literature B Landscape painting, American 19th century B Apocalypse in art B Spirituality in art B Thesis B Apocalypse in literature B American literature 19th century History and criticism |
| Online Access: |
Inhaltsverzeichnis (Aggregator) |
| Summary: | Evangelical Space. Thomas Cole and the Landscape of Evangelical Print -- Abolitionist Mediascapes: The American Anti-Slavery Society and the Sacred Geography of Emancipation -- The Human Medium: Harriet Beecher Stowe and the New-York Evangelist -- Geographies of the Secular. Pilgrimage to the 'Secular Center': Tourism and the Calvinist Novel -- Cosmic Modernity: Henry David Thoreau, the Missionary Memoir, and the Heathen Within -- The Sensational Republic: Catholic Conspiracy and the Battle for the Great West -- Epilogue. "This monograph argues that Protestant evangelicals used the rise of mass print culture in the nineteenth century to produce a modern form of "sacred space" that moved beyond devotional literature to profoundly shape popular literature, art, and politics. The author places well-known works of literature and visual art-Thomas Cole's 1836 painting The Oxbow, Harriet Beecher Stowe's Uncle Tom's Cabin, Henry David Thoreau's Walden, among others-into new contexts, showing the revelatory nature they contained for religious audiences. As the author demonstrates, the antebellum landscape meant more than physical territory to be conquered or new markets to be exploited: the land itself represented intense spiritual longing and struggle, a spiritual medium through which many Americans looked to see the state of their souls and the fate of the world unveiled"-- |
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| Item Description: | Includes bibliographical references and index |
| ISBN: | 0691200092 |