Auden, Auden's Milton, and Songs for Virgins

Deep though unexplored currents of W.H. Auden's incipient Christian theology in ‘Song for St Cecilia's Day' become clearer when we read the poem with an eye on John Milton's madrigal ‘At a Solemn Music' and his musical tribute to virginity, ‘A Masque'. Auden closely ide...

Full description

Saved in:  
Bibliographic Details
Main Author: Daniel, Clay (Author)
Format: Electronic Article
Language:English
Check availability: HBZ Gateway
Journals Online & Print:
Drawer...
Fernleihe:Fernleihe für die Fachinformationsdienste
Published: Oxford University Press [2019]
In: Literature and theology
Year: 2019, Volume: 33, Issue: 4, Pages: 414-433
RelBib Classification:CA Christianity
CD Christianity and Culture
ZB Sociology
Online Access: Volltext (Resolving-System)
Volltext (doi)
Description
Summary:Deep though unexplored currents of W.H. Auden's incipient Christian theology in ‘Song for St Cecilia's Day' become clearer when we read the poem with an eye on John Milton's madrigal ‘At a Solemn Music' and his musical tribute to virginity, ‘A Masque'. Auden closely identified Milton with the religious dualism that impeded his acceptance of Christianity, as well with the divided consciousness of the Protestantism whose disintegration was a primary source for contemporary global chaos; and his examination of art, religion, and sexuality consistently uses Milton's poems as counter-texts off which to ‘bounce' his own vision of Christian flesh and Christian spirit.
ISSN:1477-4623
Contains:Enthalten in: Literature and theology
Persistent identifiers:DOI: 10.1093/litthe/frz005