El icono y su herencia en el arte

The following article explores the nature of the icon as traditional pictorial representation of Christ and the saints of the Church. We will try to understand what this art consists of whose origins can be traced from the first centuries of Christianity, what are its motivations, aims and essential...

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Bibliographic Details
Published in:Veritas
Main Author: Solís Nova, David (Author)
Format: Electronic Article
Language:Spanish
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Published: [2019]
In: Veritas
RelBib Classification:CE Christian art
VA Philosophy
Further subjects:B Iconography
B Christian Art
B Icon
B Species
B Christian images
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Description
Summary:The following article explores the nature of the icon as traditional pictorial representation of Christ and the saints of the Church. We will try to understand what this art consists of whose origins can be traced from the first centuries of Christianity, what are its motivations, aims and essential features, that is, on what basis has managed to fulfill such an important role in the lives of countless faithful. By means a methodology of bibliographic and documentary review, we will pay attention to the thesis of different philosophers, theologians and historians who have come to recognize and think about the meaning of the icon for the Christian people. Our purpose is eminently philosophical, but it is nourished by many authors who have been concerned, from different disciplines, with this special and moving Christian beauty. To know in depth the icon will allow us to solve our investigative question that aims to discover the inheritance that the icon gives to the universal art of all times and to Christian art in particular. We start from the hypothesis that the icon contains a very original and little explored contribution that may be of great benefit and inspiration to think, for now, a contemporary art and future enriched by this heritage.
ISSN:0718-9273
Contains:Enthalten in: Veritas
Persistent identifiers:DOI: 10.4067/S0718-92732019000300143