Sensing Sound: Aesthetic and Religious Experience According to al-Ghazālī
The Muslim theologian Abū Ḥāmid al-Ghazālī (d. 1111) is one of the most often cited authors when it comes to "music and Islam." His "Book on the Etiquette of Listening and Ecstasy" (*Kitāb Adāb as-samāʿ wa-l-wajd*), translated into English more than a hundred years ago, is widely...
| Published in: | Entangled Religions |
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| Main Author: | |
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Ruhr-Universität Bochum
[2019]
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| In: |
Entangled Religions
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| Standardized Subjects / Keyword chains: | B
Ġazzālī, Abū-Ḥāmid Muḥammad Ibn-Muḥammad al- 1058-1111, Kitāb ādāb as-samāʿ wa al-wajd
/ Religious experience
/ Perception
/ Hearing
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| RelBib Classification: | AG Religious life; material religion BJ Islam |
| Further subjects: | B
Islam
B Music B Abū Ḥāmid al-Ghazālī B sonic dimensions B Muslim ritual |
| Online Access: |
Volltext (doi) Volltext (kostenfrei) |
| Summary: | The Muslim theologian Abū Ḥāmid al-Ghazālī (d. 1111) is one of the most often cited authors when it comes to "music and Islam." His "Book on the Etiquette of Listening and Ecstasy" (*Kitāb Adāb as-samāʿ wa-l-wajd*), translated into English more than a hundred years ago, is widely circulated among Muslims in the East and West, in Arabic and English, in print and on the internet. This paper re-examines the text against the background of Arab musical theory of the time when it was written, and analyses selected technical terms that allude to concepts rooted in Late Antique musical philosophy and become also tangible in the Qurʾān. al-Ghazālī recognises both aesthetic pleasure and the transformative power of sounds and gives guidance how to channel the hearing perception into a salvific experience. |
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| ISSN: | 2363-6696 |
| Contains: | Enthalten in: Entangled Religions
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| Persistent identifiers: | DOI: 10.13154/er.10.2019.8437 |