The Light of the World: Mediating Divine Presence through Light and Sound in a Contemporary Megachurch
The paper explores the interplay of elaborate light and sound technologies used in the worship services of Lakewood Church in Houston, Texas. During the renovation and reconstruction of the church venue from former basketball stadium to church auditorium, the church hired professional companies to d...
| Published in: | Material religion |
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| Main Author: | |
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Taylor & Francis
2020
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| In: |
Material religion
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| Standardized Subjects / Keyword chains: | B
Big church
/ Light
/ Tone (Acustics)
/ God
/ Präsenz (Philosophy)
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| RelBib Classification: | CD Christianity and Culture KAJ Church history 1914-; recent history |
| Further subjects: | B
Joel Osteen
B auditorium B Megachurch B Technology B Atmosphere B Light B Lighting B Lakewood Church B Worship service B praise and worship music B Sound B Evangelical dramaturgy |
| Online Access: |
Volltext (kostenfrei) |
| Summary: | The paper explores the interplay of elaborate light and sound technologies used in the worship services of Lakewood Church in Houston, Texas. During the renovation and reconstruction of the church venue from former basketball stadium to church auditorium, the church hired professional companies to design and outfit the huge 16,000 seat auditorium in order to create a worship space, which simultaneously is meant to serve as a meeting space for the congregation and as an intimate place for a personal encounter with God. Worship services at Lakewood Church are multi-sensory events in which lights on the ceiling, in the auditorium, and on stage interplay with sound, vision, and space in order to structure the worship service and to mediate divine presence. The analysis is based on fieldwork data acquired on site and textual data drawn from portfolios of the technological companies involved in the reconstruction and outfitting of the church auditorium. I argue that despite the capaciousness of the space an atmosphere of intimacy is created through a specific lighting scheme that departs from traditional church lighting practices. |
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| ISSN: | 1751-8342 |
| Contains: | Enthalten in: Material religion
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| Persistent identifiers: | DOI: 10.1080/17432200.2019.1696561 |