Bluegrass Theology: From Primitive (Baptist) to Postmodern
This article examines the music of two bluegrass gospel composers to assess how the theologies in their songs compare. The theo-symbolic code from John McClure's Four Codes of Preaching provides the reader with a means for discerning the theological elements in a song, sermon, or other artifact...
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
University of Saskatchewan
[2008]
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| Dans: |
Journal of religion and popular culture
Année: 2008, Volume: 18, Numéro: 1 |
| Accès en ligne: |
Volltext (Resolving-System) Volltext (doi) |
| Résumé: | This article examines the music of two bluegrass gospel composers to assess how the theologies in their songs compare. The theo-symbolic code from John McClure's Four Codes of Preaching provides the reader with a means for discerning the theological elements in a song, sermon, or other artifact, and how the several elements relate to one another. The article concludes that while the composers' theologies have similarities, at a deeper level there are subtle but important differences that reflect their distinct theological backgrounds. |
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| ISSN: | 1703-289X |
| Contient: | Enthalten in: Journal of religion and popular culture
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| Persistent identifiers: | DOI: 10.3138/jrpc.18.1.003 |