Bluegrass Theology: From Primitive (Baptist) to Postmodern
This article examines the music of two bluegrass gospel composers to assess how the theologies in their songs compare. The theo-symbolic code from John McClure's Four Codes of Preaching provides the reader with a means for discerning the theological elements in a song, sermon, or other artifact...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
University of Saskatchewan
[2008]
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| In: |
Journal of religion and popular culture
Year: 2008, Volume: 18, Issue: 1 |
| Online Access: |
Volltext (Resolving-System) Volltext (doi) |
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| 520 | |a This article examines the music of two bluegrass gospel composers to assess how the theologies in their songs compare. The theo-symbolic code from John McClure's Four Codes of Preaching provides the reader with a means for discerning the theological elements in a song, sermon, or other artifact, and how the several elements relate to one another. The article concludes that while the composers' theologies have similarities, at a deeper level there are subtle but important differences that reflect their distinct theological backgrounds. | ||
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| 601 | |a Postmoderne | ||
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