Re-enchanting the world: Music and spirituality
This article will examine the historical and contemporary literature in this area, to produce a model of the phenomenography of the musical experience which is linked with strands in the literature exploring the relationship between religion and spirituality. It interrogates the attitude of Christia...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Routledge, Taylor & Francis Group
[2020]
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| Dans: |
Journal for the Study of Spirituality
Année: 2020, Volume: 10, Numéro: 1, Pages: 29-41 |
| Sujets / Chaînes de mots-clés standardisés: | B
Musique
/ Spiritualité
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| RelBib Classification: | AG Vie religieuse AZ Nouveau mouvement religieux |
| Sujets non-standardisés: | B
Theology
B Spirituality B Experience B Liminality B Music B Religion |
| Accès en ligne: |
Volltext (Resolving-System) |
| Résumé: | This article will examine the historical and contemporary literature in this area, to produce a model of the phenomenography of the musical experience which is linked with strands in the literature exploring the relationship between religion and spirituality. It interrogates the attitude of Christian theologians to the place of music in worship and its relationship to the sacred. It charts the move from this to a more generalised view of the spiritual dimension of music linking these with cataphatic and apophatic theological traditions. It uses frames from Buber's view of encounter and Turner's notion of liminality to link strands in the spirituality literature to the musical domains and the transformative properties of the liminal space. |
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| ISSN: | 2044-0251 |
| Contient: | Enthalten in: Journal for the Study of Spirituality
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| Persistent identifiers: | DOI: 10.1080/20440243.2020.1726046 |