"Dharm is technology": the theologizing of technology in the experimental Hinduism of renouncers in contemporary North India
This article advances a conceptual shift in the ways that scholars think and teach about the established categories of religion, renunciation, and the modern in religious studies, anthropology, and Asian studies through the use of the concept of "experimental Hinduism." Drawing on an analy...
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
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| Published: |
SpringerOpen
[2017]
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| In: |
International journal of Dharma Studies
Year: 2017, Volume: 5 |
| Online Access: |
Volltext (kostenfrei) |
| Summary: | This article advances a conceptual shift in the ways that scholars think and teach about the established categories of religion, renunciation, and the modern in religious studies, anthropology, and Asian studies through the use of the concept of "experimental Hinduism." Drawing on an analytical model of "experimental religion" developed by the anthropologist John Nelson, a contributor to this volume, and based on fifteen years of ethnographic fieldwork with Hindu renouncers (sādhus) in North India, the article examines the sādhus' views, experiences, and practices of the modern technological as an empirical -and underrepresented- context for reconfiguring Hinduism in the 21st century. It shows that they revision the dominant definitional boundaries of Hinduism by theologizing what is called "the forms of the modern," like communication technologies, in the context of their public teaching events (dharm-kathās). Thus, this article calls attention to the creative—and experimental—thinking taking place in vernacular asceticism (sannyās) among sādhus from different renunciant traditions, and who want to make sense of the vast technological changes shaping their lives and those of the communities whom they serve. The theologizing of technology is seen in their drawing on a synthesis of Hindu ideological frameworks through which the sādhus emphasize by means of storytelling three narrative motifs that articulate the divinity of technology. These are: Sannyās represents the "original technology" and the "original science"; technology manifests the properties of creativity and change that characterize what the sādhus associate with "the nature of Brahman" and "the rule of dharm"; and, finally, the apocalyptic Kalki avatār concept offers a redemptive metaphor for the evolving human-technology interface in the current global milieu. |
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| ISSN: | 2196-8802 |
| Contains: | Enthalten in: International journal of Dharma Studies
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| Persistent identifiers: | DOI: 10.1186/s40613-017-0053-0 |