Can Women in Interreligious Dialogue Speak?: Productions of In/Visibility at the Intersection of Religion, Gender, and Race

Echoing Gayatri Spivak's seminal essay, Gruber asks, Can women in interreligious dialogue speak? She develops an answer through an analysis of Theo van Gogh and Ayaan Hirsi Ali's film Submission and Candice Breitz's video installation Love Story. Both of these works of art raise quest...

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Détails bibliographiques
Publié dans:Journal of feminist studies in religion
Auteur principal: Gruber, Judith 1982- (Auteur)
Type de support: Électronique Article
Langue:Anglais
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Publié: Indiana University Press [2020]
Dans: Journal of feminist studies in religion
Sujets / Chaînes de mots-clés standardisés:B Spivak, Gayatri Chakravorty 1942- / Femme / Dialogue interreligieux / Submission (Film) / Breitz, Candice 1972-, Love story
RelBib Classification:AD Sociologie des religions
AX Dialogue interreligieux
Sujets non-standardisés:B hypervisibility
B Féministe
B white privilege
B Christian privilege
B epistemic privilege
B Interreligious Dialogue
Accès en ligne: Volltext (Verlag)
Description
Résumé:Echoing Gayatri Spivak's seminal essay, Gruber asks, Can women in interreligious dialogue speak? She develops an answer through an analysis of Theo van Gogh and Ayaan Hirsi Ali's film Submission and Candice Breitz's video installation Love Story. Both of these works of art raise questions of representation and agency for marginalized people, and by bringing these questions into conversation with theoretical reflections about women in inter-religious dialogue, Gruber charts potential positions of women in the field of interfaith dialogue. The crucial argument is that what position women take in this field depends on their access to epistemic privilege, which is distributed unevenly along gendered, racialized, and religious differentiations—interreligious dialogue takes place at the intersection of male, white, and Christian privilege.
ISSN:1553-3913
Contient:Enthalten in: Journal of feminist studies in religion