Religion and Culture in Inherit the Wind
Stanley Kramer’s Inherit the Wind (1960) has long been considered a classic for its indictment of McCarthyism as allegorized in a dramatic treatment of the Scopes Monkey Trial. But for all its political messaging, the film is also patently up front in its treatment of religious perspectives on cultu...
| Published in: | The journal of religion and film |
|---|---|
| Main Author: | |
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
2019
|
| In: |
The journal of religion and film
|
| Standardized Subjects / Keyword chains: | B
Inherit the wind
/ USA
/ Fundamentalism
/ Agnosticism
|
| RelBib Classification: | AA Study of religion AD Sociology of religion; religious policy AG Religious life; material religion KBQ North America ZC Politics in general |
| Further subjects: | B
Inherit the wind
B Structuralism B Culture B Pietism |
| Online Access: |
Volltext (kostenfrei) |
| Summary: | Stanley Kramer’s Inherit the Wind (1960) has long been considered a classic for its indictment of McCarthyism as allegorized in a dramatic treatment of the Scopes Monkey Trial. But for all its political messaging, the film is also patently up front in its treatment of religious perspectives on culture. The presence of such material may be read allegorically but may also be read in connection with the period of the film’s production, as a statement piece on religious perspectives of media such as film. This article examines the religious messaging in Inherit the Wind in conjunction with religious perspectives of the 1920s and 30s (the time period depicted in the film) and the late 1950s (the period of the film’s making). In so doing, the article offers a new reading of the film, connecting it explicitly to religious perspectives on culture and cultural engagement contemporaneous with the film’s release. |
|---|---|
| ISSN: | 1092-1311 |
| Contains: | Enthalten in: The journal of religion and film
|