The retribution of identity: colonial politics in Fauda

In its first season, Israeli television thriller Fauda proclaimed an utter symmetry between Israel “proper” and its Occupied Territories, by humanizing Hamas militants and treating them as equals to the Israeli characters. Throughout the story the Jewish warrior's body becomes a site for the de...

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Bibliographic Details
Published in:AJS review
Subtitles:Research Article
Main Author: Ben Yehuda, Omri 1982- (Author)
Format: Electronic Article
Language:English
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Published: University of Pennsylvania Press [2020]
In: AJS review
Standardized Subjects / Keyword chains:B Colonialism / Recompense / Martyrdom / Identity
RelBib Classification:BH Judaism
Online Access: Volltext (lizenzpflichtig)
Description
Summary:In its first season, Israeli television thriller Fauda proclaimed an utter symmetry between Israel “proper” and its Occupied Territories, by humanizing Hamas militants and treating them as equals to the Israeli characters. Throughout the story the Jewish warrior's body becomes a site for the detonation of explosives and a potential vehicle for suicide bombings, in a false but intriguing reenactment of the trauma of the second intifada, which has been repressed in Israeli consciousness. In this unwitting manifestation of Jewish martyrdom, the façade of the rule of law in the State of Israel is dismantled in what seems like a religious battle between clans. The discourse of pain in the series suggests a stream of constant retribution in a vicious circle that can never historicize the allegedly eternal conflict and work through its traumatic residues. Nonetheless, this dynamic of retribution and martyrdom also informs a multilayered structure whereby the secular, modern Jew returns to his roots by engaging with Arabness in the theatre of mistaʿaravim: in becoming Arab he also becomes, finally, a Jew.
ISSN:1475-4541
Contains:Enthalten in: Association for Jewish Studies, AJS review
Persistent identifiers:DOI: 10.1017/S0364009419000862