Neither Anglican nor Female: Androgyny, True Religion, and the Towers of Trebizond

This essay reassesses Rose Macaulay's novel The Towers of Trebizond (1956) in light of its protagonist's androgyny. It begins by exploring how Macaulay inscribes her main character with an androgyny that, in contrast to many other literary portrayals of androgyny, is rhetorical and theolog...

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Bibliographic Details
Published in:Religion & literature
Main Author: Hoogheem, Andrew (Author)
Format: Electronic Article
Language:English
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Published: Dep. 2019
In: Religion & literature
Year: 2019, Volume: 51, Issue: 1, Pages: 47-67
Standardized Subjects / Keyword chains:B Macaulay, Rose 1881-1958, The towers of Trebizond / Androgyny (Psychology) / Spirituality
RelBib Classification:AD Sociology of religion; religious policy
AG Religious life; material religion
CB Christian life; spirituality
KDE Anglican Church
Further subjects:B TOWERS of Trebizond, The (Book)
B LITERARY characters
B Secularization
B MACAULAY, Rose
B ANDROGYNY (Psychology) in literature
Online Access: Volltext (lizenzpflichtig)
Description
Summary:This essay reassesses Rose Macaulay's novel The Towers of Trebizond (1956) in light of its protagonist's androgyny. It begins by exploring how Macaulay inscribes her main character with an androgyny that, in contrast to many other literary portrayals of androgyny, is rhetorical and theological rather than political. Next, it argues that this androgyny reframes the novel's religious concerns, replacing simple binaries with a more complex matrix of desire and recognition of difference. Finally, it situates the novel in a postmodern, postsecular landscape, arguing that it suggests a vision for recovering an authentic spirituality in circumstances where true religion is often tantamount to special effect.
ISSN:2328-6911
Contains:Enthalten in: Religion & literature
Persistent identifiers:DOI: 10.1353/rel.2019.0012