Nailed and Aflame: Annie Dillard's Bonaventurian Mysticism

This article argues that Annie Dillard's work presents a unique, contemporary expression of cruciform mysticism. The article first contextualizes Dillard as a thinker who moves beyond the traditional Christian demarcations of the via positiva and the via negativa, as well as a writer who goes b...

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Bibliographic Details
Main Author: Dralios, Kristen (Author)
Format: Electronic Article
Language:English
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Published: University of Notre Dame 2019
In: Religion & literature
Year: 2019, Volume: 51, Issue: 2, Pages: 91-112
RelBib Classification:CB Christian life; spirituality
CD Christianity and Culture
KCA Monasticism; religious orders
Further subjects:B Christianity
B Cultural History
B Solidarity
B Political Theology
B Christian Ethics
Description
Summary:This article argues that Annie Dillard's work presents a unique, contemporary expression of cruciform mysticism. The article first contextualizes Dillard as a thinker who moves beyond the traditional Christian demarcations of the via positiva and the via negativa, as well as a writer who goes beyond the ecstatic experiences of natural transcendentalists. I claim that Dillard is a mystic, but one who more closely aligns with the Franciscan tradition in general and Bonaventure in particular. I show that her negative experiences of ecstasy express a distinct commitment to the form of the cross and offer a challenging vision of cruciform solidarity. This article fits within the collection of writings on Dillard's non-fiction, but highlights further riches that come from her cruciform mystical dimensions. I argue that Dillard's increased mystical and religious range in her later work indicates not a decision against Christianity, but rather a decision against whitewashed imagery of resurrected glory. I show how Dillard's whole corpus reveals a profound marking by the cross, as well as the need for and cost of Christian solidarity with the world's wounded.
ISSN:2328-6911
Contains:Enthalten in: Religion & literature