Royal literary identity under the Sargonids and the Epic of Gilgameš

The high density of intertexts lifted from the epic of Gilgameš in the corpus of Sargonid royal narrative texts is unprecedented in Assyrian literary history Following Kenneth Gergen’s works on narrativity and identity building, this paper understands these programmatic innovations as deliberate att...

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Bibliographic Details
Published in:Die Welt des Orients
Main Author: Bach, Johannes 1984- (Author)
Format: Electronic Article
Language:English
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Published: Vandenhoeck & Ruprecht [2020]
In: Die Welt des Orients
RelBib Classification:KBL Near East and North Africa
TC Pre-Christian history ; Ancient Near East
ZC Politics in general
Online Access: Volltext (Verlag)
Volltext (doi)
Description
Summary:The high density of intertexts lifted from the epic of Gilgameš in the corpus of Sargonid royal narrative texts is unprecedented in Assyrian literary history Following Kenneth Gergen’s works on narrativity and identity building, this paper understands these programmatic innovations as deliberate attempts by the Sargonids to reformulate royal identity By employing a concise methodology for intertext analysis based on the works of Gérard Genette, this paper shows how two prominent Sargonid texts, the king’s report “Sargon’s Eight Campaign” (TCL 3) and the inscription Esh 1, have used allusion to the Gilgameš epic to inscribe the figure of the Assyrian king into a literary world similar that of the legendary king of Uruk This process peaks in a literary emulation of Assyrian kingship with the kingship of Gilgameš under Esarhaddon The paper closes with a short survey on other Gilgameš-related elements in Sargonid Assyria and some concluding thoughts on the “expansion of the narrative borders” of Assyrian royal identity.
ISSN:2196-9019
Contains:Enthalten in: Die Welt des Orients
Persistent identifiers:DOI: 10.13109/wdor.2020.50.2.318