Interlude. "But are as the angels which are in heaven" (Mark 12:25): reimagining a gender-ambiguous heaven in Dorian Electra's Adam & Steve
The American singer and songwriter Dorian Electra is a queer phenomenon. Their dandy appearance - the latest album is called Flamboyant (2017) - goes hand in hand with the criticism of toxic masculinity and gender binarism. One of their latest tracks, called "Adam and Steve", is a gay rete...
1. VerfasserIn: | |
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Medienart: | Elektronisch Aufsatz |
Sprache: | Englisch |
Verfügbarkeit prüfen: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Veröffentlicht: |
Institut f. Fundamentaltheologie
[2020]
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In: |
Journal for religion, film and media
Jahr: 2020, Band: 6, Heft: 2, Seiten: 86-89 |
normierte Schlagwort(-folgen): | B
Adam & Steve (Song)
/ Bibel. Genesis
/ Bibel. Markusevangelium 12,25
/ Rezeption
/ Geschlechterrolle
/ Queer-Theologie
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RelBib Classification: | CB Christliche Existenz; Spiritualität CE Christliche Kunst HA Bibel ZA Sozialwissenschaften |
weitere Schlagwörter: | B
queer readings of biblical texts
B Dorian Electra B Adam and Steve B Pop Culture B Theological Anthropology |
Online Zugang: |
Volltext (doi) Volltext (kostenfrei) |
Zusammenfassung: | The American singer and songwriter Dorian Electra is a queer phenomenon. Their dandy appearance - the latest album is called Flamboyant (2017) - goes hand in hand with the criticism of toxic masculinity and gender binarism. One of their latest tracks, called "Adam and Steve", is a gay retelling of the Genesis story. It turns on the derogative phrase: It‘s Adam and Eve, not Adam and Steve that is used to imply an irreconcilable disparity between Christianity and gay love, i.e. queerness in general ... |
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ISSN: | 2617-3697 |
Enthält: | Enthalten in: Journal for religion, film and media
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Persistent identifiers: | DOI: 10.25364/05.6:2020.2.7 |