The Ghosts of Performance Past: Theatre, Gender, Religion and Cultural Memory
This article studies the phenomenon of ghosting in religious performance through an examination of a famous Yoruba actress, Iyabo Ogunsola (Iya Efunsetan). Ogunsola once played the role of a 19th century historical character, Efunsetan Aniwura, on stage at a remarkable period of Yoruba history thus...
| Published in: | Religion & gender |
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| Main Author: | |
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Brill
[2017]
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| In: |
Religion & gender
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| Standardized Subjects / Keyword chains: | B
Ogunsola, Iyabo 1950-
/ Aniwura, Efunsetan 182X-1874
/ Depiction
/ Aladura-Bewegung
/ Worship service
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| RelBib Classification: | CB Christian life; spirituality CD Christianity and Culture CE Christian art KBN Sub-Saharan Africa KDH Christian sects RC Liturgy |
| Further subjects: | B
cultural memory
B ghosting B Efunsetan Aniwura B Theatre B Aladura churches B Motherhood B Embodiment |
| Online Access: |
Presumably Free Access Volltext (Verlag) Volltext (doi) |
| Summary: | This article studies the phenomenon of ghosting in religious performance through an examination of a famous Yoruba actress, Iyabo Ogunsola (Iya Efunsetan). Ogunsola once played the role of a 19th century historical character, Efunsetan Aniwura, on stage at a remarkable period of Yoruba history thus embedding her life and career trajectory with that of the culture. Iya Efunsetan has currently transited to an Aladura church leader and a gospel performer. Building on works by theatre/performance scholars who have studied how previously staged performances haunt the re-enactment of performances in another place, time, and context, I examine the religious aspect of the phenomenon of ghosting as it relates to Ase, Yoruba concept of metaphysical force. While Iya Efunsetan cannot shake off the ghosts of her theatrical past, I note that she mobilizes the Ase of her embodied theatrical history fame to authenticate herself as a religious leader. |
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| ISSN: | 1878-5417 |
| Contains: | Enthalten in: Religion & gender
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| Persistent identifiers: | DOI: 10.18352/rg.10162 |