The Ghosts of Performance Past: Theatre, Gender, Religion and Cultural Memory
This article studies the phenomenon of ghosting in religious performance through an examination of a famous Yoruba actress, Iyabo Ogunsola (Iya Efunsetan). Ogunsola once played the role of a 19th century historical character, Efunsetan Aniwura, on stage at a remarkable period of Yoruba history thus...
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| Medienart: | Elektronisch Aufsatz |
| Sprache: | Englisch |
| Verfügbarkeit prüfen: | HBZ Gateway |
| Journals Online & Print: | Lade...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Veröffentlicht: |
Brill
[2017]
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| In: |
Religion & gender
Jahr: 2017, Band: 7, Heft: 2, Seiten: 147-163 |
| normierte Schlagwort(-folgen): | B
Ogunsola, Iyabo 1950-
/ Aniwura, Efunsetan 182X-1874
/ Darstellung
/ Aladura-Bewegung
/ Gottesdienst
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| RelBib Classification: | CB Christliche Existenz; Spiritualität CD Christentum und Kultur CE Christliche Kunst KBN Subsahara-Afrika KDH Christliche Sondergemeinschaften RC Liturgik |
| weitere Schlagwörter: | B
cultural memory
B ghosting B Efunsetan Aniwura B Theatre B Aladura churches B Motherhood B Embodiment |
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Vermutlich kostenfreier Zugang Volltext (Verlag) Volltext (doi) |
| Zusammenfassung: | This article studies the phenomenon of ghosting in religious performance through an examination of a famous Yoruba actress, Iyabo Ogunsola (Iya Efunsetan). Ogunsola once played the role of a 19th century historical character, Efunsetan Aniwura, on stage at a remarkable period of Yoruba history thus embedding her life and career trajectory with that of the culture. Iya Efunsetan has currently transited to an Aladura church leader and a gospel performer. Building on works by theatre/performance scholars who have studied how previously staged performances haunt the re-enactment of performances in another place, time, and context, I examine the religious aspect of the phenomenon of ghosting as it relates to Ase, Yoruba concept of metaphysical force. While Iya Efunsetan cannot shake off the ghosts of her theatrical past, I note that she mobilizes the Ase of her embodied theatrical history fame to authenticate herself as a religious leader. |
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| ISSN: | 1878-5417 |
| Enthält: | Enthalten in: Religion & gender
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| Persistent identifiers: | DOI: 10.18352/rg.10162 |