Modernidade, crítica e retorno da religião: uma abordagem de Parasita e O Poço = Modernity, criticism and return of religion: an approach of Parasite and The Platform
Our article exposes the relation between modernity and religion through the movies Parasite (2019) and The platform (2019). Its main objective is to demonstrate how these movies retreat this relation. We hypothesize that the relation is constituted by the modern critics of religion and its return. T...
| Published in: | Rever |
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| Subtitles: | Modernity, criticism and return of religion: an approach of Parasite and The Platform |
| Main Author: | |
| Format: | Electronic Article |
| Language: | Portuguese |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
[2020]
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| In: |
Rever
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| Standardized Subjects / Keyword chains: | B
Parasite (Film)
/ O poço (Film)
/ The Modern
/ Religion
/ Critique of religion
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| RelBib Classification: | AA Study of religion AD Sociology of religion; religious policy AG Religious life; material religion |
| Further subjects: | B
The Platform
B Modernity B Religião B Parasite B Religion B Parasita B Modernidade B O Poço |
| Online Access: |
Volltext (doi) Volltext (kostenfrei) |
| Summary: | Our article exposes the relation between modernity and religion through the movies Parasite (2019) and The platform (2019). Its main objective is to demonstrate how these movies retreat this relation. We hypothesize that the relation is constituted by the modern critics of religion and its return. The article is structured in the following order: 1) an analysis of the religion, in a modern perspective, in images, ideas, and structure in each movie; 2) an approximation of their narratives to the modern critics of religion and its return. We intend that this article contributes to the study of religion and cinema (and pop culture in general) and the research field of the relation between religion and contemporaneity. Nosso artigo trata da relação entre modernidade e religião através dos filmes Parasita (2019) e O poço (2019). Seu objetivo é demonstrar como esses filmes retratam essa relação. Temos como hipótese que isso se dá por meio da crítica da religião desenvolvida pela modernidade e de seu retorno. Dessa forma, o artigo segue na seguinte ordem: 1) análise da religião, na perspectiva moderna, em configuração imagética, ideológica e estrutural em cada um dos filmes; 2) aproximação dos enredos com as críticas modernas à religião e com seu retorno. Pretendemos que este artigo contribua tanto para os estudos de religião e cinema (e cultura pop em geral) quanto para o campo de pesquisa da relação entre religião e contemporaneidade. |
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| ISSN: | 1677-1222 |
| Contains: | Enthalten in: Rever
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| Persistent identifiers: | DOI: 10.23925/1677-1222.2020vol20i3a5 |