A Perfect Chord: Trinity in Music, Music in the Trinity
The doctrine of God’s Triunity is at the core of Christian faith; this article presents a theological survey of how it has been understood in a musical way during the Christian era. The role of music as a participation in the liturgy of mutual love eternally experienced in the Trinity is first analy...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
[2013]
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| In: |
Religions
Year: 2013, Volume: 4, Issue: 4, Pages: 485-501 |
| Further subjects: | B
History of music
B Trinity B Harmony B monody B Liturgy B Polyphony |
| Online Access: |
Presumably Free Access Volltext (Publisher) Volltext (doi) |
| Summary: | The doctrine of God’s Triunity is at the core of Christian faith; this article presents a theological survey of how it has been understood in a musical way during the Christian era. The role of music as a participation in the liturgy of mutual love eternally experienced in the Trinity is first analyzed, with references to the Church Fathers and to modern/contemporary theologians. Later, the three main forms of congregational singing are taken into account (i.e., monody, polyphony and harmony), pointing out how each has been seen in turn as a symbol of the Trinity’s love. |
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| ISSN: | 2077-1444 |
| Contains: | Enthalten in: Religions
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| Persistent identifiers: | DOI: 10.3390/rel4040485 |
