The Rise of the Fourfold Goddess Construct among Western Goddess Women and Feminist Witches

Most contemporary writers and groups who practice forms Goddess Spirituality and Wiccan-based Paganism relate to the Divine Feminine in the form of a Threefold Goddess (Maiden, Mother, Crone) - a concept popularized during the mid-twentieth century by writers such as Robert Graves (1895-1985). This...

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Bibliographic Details
Published in:The pomegranate
Main Author: Feraro, Shai (Author)
Format: Electronic Article
Language:English
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Published: Equinox Publ. [2021-03-10]
In: The pomegranate
Standardized Subjects / Keyword chains:B Neopaganism / Wicca / Goddess / Conception / Feminism
RelBib Classification:AB Philosophy of religion; criticism of religion; atheism
AG Religious life; material religion
AZ New religious movements
Further subjects:B Paganism
B Goddess Feminism
B Fourfold Goddess
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Summary:Most contemporary writers and groups who practice forms Goddess Spirituality and Wiccan-based Paganism relate to the Divine Feminine in the form of a Threefold Goddess (Maiden, Mother, Crone) - a concept popularized during the mid-twentieth century by writers such as Robert Graves (1895-1985). This article examines the recent rise of a Fourfold Goddess concept among certain Goddess women and proponents of feminist Witchcraft. It surveys the proliferation of this view, with an emphasis on its embryonic emergence among the 1970s-1980s British matriarchal and Pagan milieus, and discusses the ways in which the concept is used by various groups and individuals (each with their own unique construct of the four aspects of the Goddess) in challenging patriarchy in general, and the perceived reduction of the Goddess (and woman) by the male gaze in particular.
ISSN:1743-1735
Contains:Enthalten in: The pomegranate
Persistent identifiers:DOI: 10.1558/pome.37570