“Memorial Stones”: The Geography of Womanhood in Heathen Woman's Friend, 1869-1879

The accompanying engraving [see fig. 1] appeared in a mid-nineteenth-century issue of The Ladies' Repository. Its caption, “Missionary Cemetry [sic], Fuh-Chau, China,” gives an accurate enough description of the scene. The artist even included a legend identifying the missionary wives and child...

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Bibliographic Details
Published in:Religion and American culture
Main Author: Wills, Anne Blue 1966- (Author)
Format: Electronic Article
Language:English
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Published: Cambridge University Press 1997
In: Religion and American culture
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Summary:The accompanying engraving [see fig. 1] appeared in a mid-nineteenth-century issue of The Ladies' Repository. Its caption, “Missionary Cemetry [sic], Fuh-Chau, China,” gives an accurate enough description of the scene. The artist even included a legend identifying the missionary wives and children whose remains the graves held. It is difficult to know exactly in what spirit The Repository presented this engraving to its subscribers. But the shady silence of the scene, like a pictorial obituary, invites reflection on both the lives and the deaths of the entombed. Significantly, like an obituary, the embrace of the trees also draws one in to reflect on one's own life and eventual death.
ISSN:1533-8568
Contains:Enthalten in: Religion and American culture
Persistent identifiers:DOI: 10.1525/rac.1997.7.2.03a00040