Mary Linwood of Leicester's Pious Address of Violent Times

This article explores the role that contemporary religion and politics played in the subject matter of Mary Linwood's needlework paintings. Linwood was one of Britain's pioneering needlewomen of the late eighteenth and early nineteenth centuries. Her approach to depicting famous narrative...

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Bibliographic Details
Main Author: Craske, Matthew (Author)
Format: Electronic Article
Language:English
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Published: University of Wales Press 2021
In: The journal of religious history, literature and culture
Year: 2021, Volume: 7, Issue: 1, Pages: 1-33
Standardized Subjects / Keyword chains:B Linwood, Mary 1755-1845 / Arts and crafts / Embroidery / Politics / History / Reception / History 1768-1845
RelBib Classification:CB Christian life; spirituality
CE Christian art
CG Christianity and Politics
KBF British Isles
KDG Free church
Online Access: Presumably Free Access
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Summary:This article explores the role that contemporary religion and politics played in the subject matter of Mary Linwood's needlework paintings. Linwood was one of Britain's pioneering needlewomen of the late eighteenth and early nineteenth centuries. Her approach to depicting famous narrative paintings in stitch has been largely overlooked by historians of art. The article is underpinned by use of primary source material, and draws on the most recent scholarship in the field of textile history, notably the work of Heidi Strobel and Rosika Desnoyers. Mary Linwood was an evangelical and a woman interested in the politics of the period. Her use of needlework was a means of both the expression of her piety and of the representation of her political views - especially attitudes to the brutality of the Napoleonic wars. The article also indicates that Linwood's views and medium were of remarkable interest to the wider public during the period.
ISSN:2057-4525
Contains:Enthalten in: The journal of religious history, literature and culture
Persistent identifiers:DOI: 10.16922/jrhlc.7.1.1