Dalla parola sacra all'immagine cinematografica: le ‘trasmutazioni' della violenza nella Passione
This essay attempts a study of a number of cinematographic recountings of the Passion concentrating on the characteristics of their relationship with the biblical texts. After an analysis of the concept of intersemiotic translation, a number of evaluation criteria are presented: the c...
| Auteur principal: | |
|---|---|
| Type de support: | Électronique Article |
| Langue: | Italien |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
2006
|
| Dans: |
Annali di studi religiosi
Année: 2006, Volume: 7, Pages: 53-78 |
| Accès en ligne: |
Volltext (kostenfrei) |
| Résumé: | This essay attempts a study of a number of cinematographic recountings of the Passion concentrating on the characteristics of their relationship with the biblical texts. After an analysis of the concept of intersemiotic translation, a number of evaluation criteria are presented: the capacity of referring to the original text, the interpretative force in comparison with today, and the economy of the changes. These criteria are then applied to Il Vangelo secondo Matteo by P.P. Pasolini, Gesù di Nazareth by F. Zeffirelli, and M. Gibson’s The Passion of the Christ. |
|---|---|
| ISSN: | 2284-3892 |
| Contient: | Enthalten in: Annali di studi religiosi
|