Allen Ginsberg’s Jeremiad: Queer Utopia, Religious Mythology, and the Undoing of Modernism
“Howl” continues to capture popular and academic imaginations. This article explores the categorical fault lines between modernist and postmodernist epistemologies as they are applied to Ginsberg’s poetic project. Reframing “religion” in postmodern terms, this article argues that even dominative cat...
| Published in: | Religion and the arts |
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| Main Author: | |
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Brill
2021
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| In: |
Religion and the arts
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| Further subjects: | B
Ethics
B Queer Theory B Beat Generation B Poetics B Capitalism |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Summary: | “Howl” continues to capture popular and academic imaginations. This article explores the categorical fault lines between modernist and postmodernist epistemologies as they are applied to Ginsberg’s poetic project. Reframing “religion” in postmodern terms, this article argues that even dominative categories and processes might be refashioned and deployed in the service of emancipatory and (counter)normative ethics and politics. |
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| ISSN: | 1568-5292 |
| Contains: | Enthalten in: Religion and the arts
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| Persistent identifiers: | DOI: 10.1163/15685292-02505002 |