"Breonna Taylor Could Have Been Me": Bearing Witness to Faith in Black (Feminist) Futurity at the Speed Art Museum’s Promise, Witness, Remembrance Exhibit
This article explores the Speed Art Museum’s exhibit, Promise, Witness, Remembrance, as a site of meaning-making in the wake of the state-sponsored killing of Breonna Taylor. The article focuses on how the curators engaged the felt sense of vulnerability to premature death among Black viewers identi...
Auteur principal: | |
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Type de support: | Électronique Article |
Langue: | Anglais |
Vérifier la disponibilité: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Publié: |
MDPI
2021
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Dans: |
Religions
Année: 2021, Volume: 12, Numéro: 11 |
Sujets non-standardisés: | B
Breonna Taylor
B the Speed Art Museum B Faith B Futurity |
Accès en ligne: |
Volltext (kostenfrei) Volltext (kostenfrei) |
Résumé: | This article explores the Speed Art Museum’s exhibit, Promise, Witness, Remembrance, as a site of meaning-making in the wake of the state-sponsored killing of Breonna Taylor. The article focuses on how the curators engaged the felt sense of vulnerability to premature death among Black viewers identified with Taylor in ways that held in tension a crisis of faith in, and an insistence upon, Black futurity. |
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ISSN: | 2077-1444 |
Contient: | Enthalten in: Religions
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Persistent identifiers: | DOI: 10.3390/rel12110980 |