Lloró Jesús: Pianto e confessione in San Manuel Bueno, mártir di Miguel de Unamuno = Jesus cried Pianto e confessione in San Manuel Bueno, martyr di Miguel by Unamuno
This article investigates Miguel de Unamuno's novel San Manuel Bueno, mártir. In particular, it focuses on the meaning of confession and weep of the novel's main character, Manuel, who is described as a new faithless Christ. In confession and tears, indeed, Manuel narrates his intimacy to...
Subtitles: | Jesus cried Pianto e confessione in San Manuel Bueno, martyr di Miguel by Unamuno |
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Main Author: | |
Format: | Electronic Article |
Language: | Italian |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Morcelliana
2021
|
In: |
Studi e materiali di storia delle religioni
Year: 2021, Volume: 87, Issue: 2, Pages: 696-713 |
Standardized Subjects / Keyword chains: | B
Unamuno, Miguel de 1864-1936, San Manuel Bueno, mártir, y tres histórias más
/ Weinen (Motiv)
/ Beichte (Motiv)
/ Jesus Christus
/ Mutterschaft (Motiv)
/ Spiritualität (Motiv)
/ Schmerzensmutter
|
RelBib Classification: | AG Religious life; material religion CB Christian life; spirituality |
Further subjects: | B
M. de Unamuno
B Confession B maternità spirituale B Secularization B Secolarizzazione B Spiritualism B Jesus Christ B Weep B Unamuno, Miguel de, 1864-1936 B pianto B San Manuel Bueno (Book) B Motherhood B Spiritual Motherhood B confessione |
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520 | |a This article investigates Miguel de Unamuno's novel San Manuel Bueno, mártir. In particular, it focuses on the meaning of confession and weep of the novel's main character, Manuel, who is described as a new faithless Christ. In confession and tears, indeed, Manuel narrates his intimacy to Angela, a spiritual mother, who hands it down in the form of written memory. Lost any hope in eternal life, Manuel experiences how self-narration in confession becomes the very possibility of self-perpetuation in history, in the neighbour's memory. Through the analysis of spiritual motherhood, this article aims to show how, in Unamuno's novel, the self-narration in front of the other is encouraged by the loving and non-judgmental attitude of the "mother", whose paradigm, in Unamuno's imagery, is the weeping and screaming figure of Mater Dolorosa. Following Unamuno, the possibility of self-historicization of the individual has therefore been intended as "feminine", and Manuel's altruistic behaviour as inspired by the love and forgiveness of the "mother". From such a perspective, this article hypothesizes that the character of Manuel might represent the figure of a Christ with maternal features. (English) | ||
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