Career Trajectories and (In)Formalization among Muslim Performing Artists in the UK and the U.S.: Accommodationism or Fundamentalism?
In the present era of heated debates on free expressions involving religious sensibilities, Muslim artists form a sociologically interesting group. Comparing the UK and the U.S., based on specific case studies of Black convert Muslim artists, the author found that Sufi- and Salafi-oriented performer...
| Published in: | The journal of religion & society |
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| Main Author: | |
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Creighton University
2017
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| In: |
The journal of religion & society
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| Further subjects: | B
Process sociology
B Race-ethnicity B Field of Muslim artists B British Salafism B Islamic conversion B North American Sufism |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
| Summary: | In the present era of heated debates on free expressions involving religious sensibilities, Muslim artists form a sociologically interesting group. Comparing the UK and the U.S., based on specific case studies of Black convert Muslim artists, the author found that Sufi- and Salafi-oriented performers display different dynamics in their career developments characterized by the intent to find congruity between their artistic aspiration and Islamic belief. Drawing from process-oriented sociological perspectives, the phases of formalization, informalization, and intensified formalization are theorized as constituting trajectories by which Muslim performing artists grapple with the relationship between art and religion. They reflect varying ideological orientations and influences regarding the (dis)embedment of Islam in culture. |
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| ISSN: | 1522-5658 |
| Contains: | Enthalten in: The journal of religion & society
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| Persistent identifiers: | HDL: 10504/114372 |