Late Roman emperorship in Constantinople: embodiment and ‘unbodiment’ of Christian virtues
The question of the documentary value of the last statues of Late Antiquity has been much debated in many recent publications. This article contributes to this debate and addresses emperors’ statuary and its relation to the development of a Christian theology of the Late Roman emperorship. Tradition...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
De Gruyter
2022
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| In: |
Byzantinische Zeitschrift
Year: 2022, Volume: 115, Issue: 1, Pages: 47-68 |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Summary: | The question of the documentary value of the last statues of Late Antiquity has been much debated in many recent publications. This article contributes to this debate and addresses emperors’ statuary and its relation to the development of a Christian theology of the Late Roman emperorship. Traditionally, statues demonstrated the military, legal and economic power of Roman emperors, who were depicted as generals, judges or benefactors. Surprisingly, the Christianisation of imperial power seems to have had a limited influence upon the official iconography of emperors. The religious dimension rarely appeared on statues even though they became rarer in Late Antiquity. Whilst literary sources, especially Christian sources, increasingly mentioned emperors’ personal piety and demonstrative humility, particularly in the monumental context of Constantinople, imperial statues remained faithful to the traditional iconography of power that obliterated physical weakness and embodied autocratic power. |
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| ISSN: | 1868-9027 |
| Contains: | Enthalten in: Byzantinische Zeitschrift
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| Persistent identifiers: | DOI: 10.1515/bz-2022-0003 |