The aesthetics of the machine-god : transcendence, salvation, or dystopia in the image of the technological god-entity
In popular fiction, as well as in theoretical philosophy, often inspired by technological evolution, we often come across the entity of the so-called machine-god. Originating in creation myths, later adapted into the science-fiction and horror genres, the opposition between a synthetic, fabricated c...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Společnost
2022
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| In: |
Religio
Year: 2022, Volume: 30, Issue: 1, Pages: [45]-76 |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
| Summary: | In popular fiction, as well as in theoretical philosophy, often inspired by technological evolution, we often come across the entity of the so-called machine-god. Originating in creation myths, later adapted into the science-fiction and horror genres, the opposition between a synthetic, fabricated creation and its potentially devastating influence on its creator has been approached from multiple angles. With the rise of technological advancement, the idea of a machine capable of surpassing the human in his physical, as well as mental capabilities, becoming thus something greater than humanity itself, has slowly gained in importance. This paper aims to analyze the concept of a man-made machine-god, depicted in popular culture and contemporary scientific theories, and through the perspective of aesthetics and semiotics, compare it to its potential non-fictional parallels. Through analyzing the symbolism of modern depictions, historical discourse, and reasoning behind the subconscious reaction, it aims to analyze the possible interactions between humankind and a god that humankind itself would create. |
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| ISSN: | 2336-4475 |
| Contains: | Enthalten in: Religio
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| Persistent identifiers: | DOI: 10.5817/Rel2022-1-4 HDL: 11222.digilib/145001 |