"Disembedded" Buddhism in a Techno-Global Cosmology: The Case of Spike Jonze’s Film Her (2013)

This essay explores the subtle but key influence of Buddhist ideas in Spike Jonze’s highly successful 2013 film Her, which reflects the currents of disembedded Buddhism woven through ostensibly non-Buddhist cultural spaces and texts, engaging with contemporary social concerns. In Her they manifest m...

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Bibliographic Details
Published in:Journal of global buddhism
Main Author: Barker, Jesse (Author)
Format: Electronic Article
Language:English
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Published: [publisher not identified] 2022
In: Journal of global buddhism
Standardized Subjects / Keyword chains:B Her (Film) / Artificial intelligence / Buddhism / World view / Transcendence
RelBib Classification:AB Philosophy of religion; criticism of religion; atheism
AE Psychology of religion
BL Buddhism
NBE Anthropology
NBK Soteriology
ZG Media studies; Digital media; Communication studies
Further subjects:B Buddhist Modernism
B Her
B Spike Jonze
B Buddhist cosmologies
B Artificial Intelligence
B Alan Watts
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Description
Summary:This essay explores the subtle but key influence of Buddhist ideas in Spike Jonze’s highly successful 2013 film Her, which reflects the currents of disembedded Buddhism woven through ostensibly non-Buddhist cultural spaces and texts, engaging with contemporary social concerns. In Her they manifest most surprisingly in the character of Samantha, an artificially-intelligent consciousness that transcends the limitations of ego-based thought. Like the Buddha, Samantha has capacities that extend beyond the reach of ordinary humans, and by imagining these extraordinary powers of thought we are provided a glimpse of an absolute reality beyond our experience of the everyday. In this sense Her’s techno-global cosmology parallels miraculous aspects of the Buddha that are embedded in premodern cosmologies.
ISSN:1527-6457
Contains:Enthalten in: Journal of global buddhism
Persistent identifiers:DOI: 10.26034/lu.jgb.2022.1993