Uit beeld verdwenen: Religieuze kunst in de jaren zestig
More than in music, literature or film, religion faded into the background in the visual arts during the 1960s. The close, longtime connection between Western visual art and Christianity and its visual language seemed to have been lost. In particular in the Netherlands, for a century most loyal to t...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Néerlandais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Amsterdam University Press
2021
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| Dans: |
Trajecta
Année: 2021, Volume: 30, Numéro: 1, Pages: 173-190 |
| RelBib Classification: | CD Christianisme et culture CE Art chrétien KAJ Époque contemporaine KBD Benelux |
| Sujets non-standardisés: | B
Jacques Frenken
B Art History B Religious Art B Dutch Church History B Sixties |
| Accès en ligne: |
Volltext (kostenfrei) Volltext (kostenfrei) |
| Résumé: | More than in music, literature or film, religion faded into the background in the visual arts during the 1960s. The close, longtime connection between Western visual art and Christianity and its visual language seemed to have been lost. In particular in the Netherlands, for a century most loyal to the authority of Rome, religious art was discredited. It was only in the course of the 1980s that interest in religious art returned, albeit modest and cautious. In 2021 there are new opportunities for the visual arts. Although the churches are struggling with empty pews, the church building remains an inspiring environment for artists. In addition, the number of artists with a migration background is increasing. Religion plays an important role within this group, which is reflected in the themes that are depicted. |
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| ISSN: | 2665-9484 |
| Contient: | Enthalten in: Trajecta
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| Persistent identifiers: | DOI: 10.5117/TRA2021.1.008.PRIN |