Before Wild Things: Maurice Sendak and the Postwar Jewish American Child as Queer Insider-Outsider
Abstract This article analyzes the late Maurice Sendak’s (1928–2012) entry into the field of children’s picture books in the midtwentieth century and his contribution to the affective shift in children’s literature. It examines Sendak’s complex social position and artistic development in the 1940s a...
| Published in: | Images |
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| Main Author: | |
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Brill
2019
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| In: |
Images
Year: 2019, Volume: 12, Issue: 1, Pages: 85-94 |
| Online Access: |
Presumably Free Access Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Summary: | Abstract This article analyzes the late Maurice Sendak’s (1928–2012) entry into the field of children’s picture books in the midtwentieth century and his contribution to the affective shift in children’s literature. It examines Sendak’s complex social position and artistic development in the 1940s and 1950s, as well as lesser-known illustrations by Sendak, including collaborations with Ruth Krauss and with the artist’s brother, Jack. These works began to respond to Sendak’s own childhood as a queer son of Eastern European Yiddish-speaking immigrants. They also offered new potential mirrors for midcentury children—perhaps especially queer and otherwise marginalized children—as they navigated cultural gaps between home and the public sphere, as well as between personal orientations and the social pressures of postwar America. |
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| ISSN: | 1871-8000 |
| Contains: | Enthalten in: Images
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| Persistent identifiers: | DOI: 10.1163/18718000-12340103 |