Theology, Deconstruction, and Ritual Process
Abstract. Victor Turner's comparative symbology provides a description of liminality, marginality, and liminoid genres that can be usefully applied to positioning theology in a theory of practice, determining its social location, and assessing its future meaning. This paper argues not only that...
| Published in: | Zygon |
|---|---|
| Main Author: | |
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Wiley-Blackwell
1983
|
| In: |
Zygon
Year: 1983, Volume: 18, Issue: 3, Pages: 295-309 |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Parallel Edition: | Non-electronic
|
| Summary: | Abstract. Victor Turner's comparative symbology provides a description of liminality, marginality, and liminoid genres that can be usefully applied to positioning theology in a theory of practice, determining its social location, and assessing its future meaning. This paper argues not only that theological marginality is a result of the secularization of culture but also that the breach with theology's pubiics reflects a more significant internal breach that is essential to theology as a liminoid form of public reflexivity. The paper draws from deconstructionist philosophy and defines the interpretive task of theology as a deconstructionist hermeneutic. |
|---|---|
| ISSN: | 1467-9744 |
| Contains: | Enthalten in: Zygon
|
| Persistent identifiers: | DOI: 10.1111/j.1467-9744.1983.tb00516.x |