Commentary on Elizabeth Corey's Interpretation of Michael Oakeshott
Abstract. Elizabeth Corey suggests that in order to understand Michael Oakeshott's worldview one should pay special attention to two subjects, religion and aesthetics, and analyze the connection between these two realms and the idea of practical life in general and of politics in particular. He...
Auteur principal: | |
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Type de support: | Électronique Article |
Langue: | Anglais |
Vérifier la disponibilité: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Publié: |
Wiley-Blackwell
2009
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Dans: |
Zygon
Année: 2009, Volume: 44, Numéro: 1, Pages: 223-226 |
Sujets non-standardisés: | B
Elizabeth Corey
B Religion B Practice B Politics B Michael Oakeshott B Aesthetics B Present B World |
Accès en ligne: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
Résumé: | Abstract. Elizabeth Corey suggests that in order to understand Michael Oakeshott's worldview one should pay special attention to two subjects, religion and aesthetics, and analyze the connection between these two realms and the idea of practical life in general and of politics in particular. Her book provides a sympathetic but also critical conversation with Oakeshott's ideas, ultimately offering us a coherent picture of the place of the religious, poetical, and political in the totality of his thought. Corey persuasively shows that the major ideas of the mature Oakeshott originated in his earlier religious convictions and that his philosophy of aesthetics, contrary to what his critics claimed, fit nicely in the general framework of his thought. |
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ISSN: | 1467-9744 |
Contient: | Enthalten in: Zygon
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Persistent identifiers: | DOI: 10.1111/j.1467-9744.2009.00995.x |