From the Goddess Guanyin to Señor Santo Niño: Chinese and Filipino Restaurant Religion in Canada

"Restaurant religion" describes the practice whereby Asian migrants throughout the diaspora display religious objects in their places of business. Many first generation migrants to Canada use the restaurant as a site to display their sense of belonging and religious freedom. Among the Chin...

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Bibliographic Details
Published in:Religious studies and theology
Main Author: Marshall, Alison R. 1965- (Author)
Format: Electronic Article
Language:English
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Published: Equinox Publ. 2016
In: Religious studies and theology
Further subjects:B Ancestor worship
B Migration
B Asian Canadian history
B Chinese religion
B Catholicism
B Foodways
B Devotion
B Filipino religion
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Summary:"Restaurant religion" describes the practice whereby Asian migrants throughout the diaspora display religious objects in their places of business. Many first generation migrants to Canada use the restaurant as a site to display their sense of belonging and religious freedom. Among the Chinese, religious displays were hidden from customers until after the repeal of the Chinese Immigration Act in 1947. For Filipinos, by contrast, religious displays from the beginning were out in the open. From the statues of the Goddess Guanyin to those of green and redrobed Señor Santo Niño restaurant religion tells of favoured deities, devotional practices and family connections. Restaurants provide homes away from home, recreating intimate dining spaces, offering familiar tastes and religious cultures. They became the focal points of Chinatowns and Manila towns throughout Canada. And while restaurant religion is only one aspect of a migrant’s spiritual life it signals the hunger for both faith and familial sustenance.
ISSN:1747-5414
Contains:Enthalten in: Religious studies and theology
Persistent identifiers:DOI: 10.1558/rsth.32553