Why ‘punk’? Religion, anarchism and feminism in Pussy Riot’s Punk Prayer

Pussy Riot became world famous after their Punk Prayer in the Cathedral of Christ the Saviour in Moscow. This paper looks at the religious and political statements of some Pussy Riot members against the background of their Russian context and explains why the politically radical left-wing, anarchist...

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Bibliographic Details
Published in:Religion, state & society
Main Author: Willems, Joachim (Author)
Format: Electronic Article
Language:English
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Published: Routledge 2014
In: Religion, state & society
Further subjects:B Nadezhda Tolokonnikova
B Feminism
B punk rock
B Pussy Riot
B Anarchism
B yurodstvo
B Russia
Online Access: Volltext (lizenzpflichtig)
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Summary:Pussy Riot became world famous after their Punk Prayer in the Cathedral of Christ the Saviour in Moscow. This paper looks at the religious and political statements of some Pussy Riot members against the background of their Russian context and explains why the politically radical left-wing, anarchist and feminist group used the form of a punk prayer to express protest. Elaborating the connection of punk, religion and politics, I argue that punk is a sub-culturally established medium to express leftist, anarchist and feminist political convictions and to offend the religious and political hierarchy, especially when performed in the country’s most prominent cathedral; and also that the religiosity of at least some of the Pussy Riot members is not an obstacle to using a punk performance as their form to express protest; by contrast, punk is an adequate medium for ‘liminoid’ anti-authoritarian forms of religion like that of Pussy Riot member Nadezhda Tolokonnikova. In Russia, a punk prayer is not only a way for young anarchistically orientated feminists to celebrate their lifestyle, but also one of the very few ways to get attention for their concerns.
ISSN:1465-3974
Contains:Enthalten in: Religion, state & society
Persistent identifiers:DOI: 10.1080/09637494.2014.988397