A religiosidade na obra de Theo Angelopoulos: aspectos da transcendência em A eternidade e um dia (1998)
Theo Angelopoulos´ later work, developed in the 1990s, in addition to its political characteristics, has a religious bias that is still poorly understood. The purpose of this article is to analyze how this religiosity presents itself in the narrative of the Greek filmmaker. We'll support author...
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| Format: | Electronic Article |
| Language: | Portuguese |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Instituto de Ciências Humanas, Universidade Federal de Juiz de Fora
2019
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| In: |
Sacrilegens
Year: 2019, Volume: 16, Issue: 2, Pages: 85-101 |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Summary: | Theo Angelopoulos´ later work, developed in the 1990s, in addition to its political characteristics, has a religious bias that is still poorly understood. The purpose of this article is to analyze how this religiosity presents itself in the narrative of the Greek filmmaker. We'll support authors such as Mircea Eliade, Michael Bahktin, Gerard Genette, and Jan Albert. As an example we will use the film Eternity and a Day (Mia aioniotita kai mia mera, 1998). |
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| ISSN: | 2237-6151 |
| Contains: | Enthalten in: Sacrilegens
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| Persistent identifiers: | DOI: 10.34019/2237-6151.2019.v16.29065 |