Know Thyself, Dissect Thyself: A Genealogy of Neuroscience’s Pastoral Power through Anatomical Dissection and Illustration

Coupling “know thyself” with anatomical illustrations produced a spatialized understanding of the self, providing preconditions for “brainhood,” the view that “we are our brains.” To picture oneself, whether in anatomical illustrations or neuroimaging, is to know thyself. This paper traces the histo...

Full description

Saved in:  
Bibliographic Details
Published in:Political theology
Main Author: Kornu, Kimbell (Author)
Format: Electronic Article
Language:English
Check availability: HBZ Gateway
Journals Online & Print:
Drawer...
Fernleihe:Fernleihe für die Fachinformationsdienste
Published: Routledge, Taylor and Francis Group 2023
In: Political theology
Year: 2023, Volume: 24, Issue: 3, Pages: 283-301
Standardized Subjects / Keyword chains:B Melanchthon, Philipp 1497-1560 / Leonardo, da Vinci 1452-1519 / Neurosciences / Self / Self-image / Anatomy
RelBib Classification:CD Christianity and Culture
CF Christianity and Science
KAG Church history 1500-1648; Reformation; humanism; Renaissance
NBE Anthropology
ZD Psychology
Further subjects:B linear perspective
B Neuroscience
B Anatomical dissection
B Philip Melanchthon
B Andreas Vesalius
B Leonardo da Vinci
B pastoral power
Online Access: Volltext (lizenzpflichtig)
Description
Summary:Coupling “know thyself” with anatomical illustrations produced a spatialized understanding of the self, providing preconditions for “brainhood,” the view that “we are our brains.” To picture oneself, whether in anatomical illustrations or neuroimaging, is to know thyself. This paper traces the historical development of the conflation of self-image and self-knowledge. First, I explore the Renaissance development of linear perspective. Second, I look at how the soul becomes spatialized in psychology as a science of the soul and its relationship to anatomical dissection. Third, I investigate the innovation of anatomical illustration and how it intersects with Renaissance visual culture. Finally, I show how these varied developments manifest “know thyself” in anatomical illustrations and its significance for how we see ourselves. I conclude that, according to the ideology of the neuro, we still “know thyself” through pictures of the body, but with neuroimaging as the new anatomical illustration.
ISSN:1743-1719
Contains:Enthalten in: Political theology
Persistent identifiers:DOI: 10.1080/1462317X.2021.2008112