Transforming Inner Alchemical Vision into Painting: Huang Gongwang’s Clearing after Sudden Snow
This paper argues that the Yuan dynasty Daoist Huang Gongwang’s 黃公望 (1269–1354) painting Clearing after Sudden Snow resonates with the principles of inner alchemy (neidan, 內丹), particularly the stage known as the resurgence of yang force. Within this painting, four prominent visual elements—the sun,...
| Published in: | Religions |
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| Main Author: | |
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
MDPI
2023
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| In: |
Religions
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| Further subjects: | B
Huang Gongwang
B inner landscape B landscape paintings B inner alchemy B Quanzhen Daoism |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
| Summary: | This paper argues that the Yuan dynasty Daoist Huang Gongwang’s 黃公望 (1269–1354) painting Clearing after Sudden Snow resonates with the principles of inner alchemy (neidan, 內丹), particularly the stage known as the resurgence of yang force. Within this painting, four prominent visual elements—the sun, the spirit room, the cliff, and the snowy mountains—come together to imbue the painting with a rich tapestry of inner alchemical connotations. They collectively portray the sequential stages of cultivation, refinement, and transformation in the context of inner alchemy. The painting not only captures the moment of transition where the snow-covered terrain is gradually transforming into a fresh and awakened state, but it also embodies a visual metaphor for the inner alchemical transformative journey. Furthermore, each individual who engages with the painting may undergo their own personal transformation through the act of contemplation and reflection. |
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| ISSN: | 2077-1444 |
| Contains: | Enthalten in: Religions
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| Persistent identifiers: | DOI: 10.3390/rel14070861 |