Powołanie do twórczości w koncepcjach filozoficzno-religijnych Nikołaja A. Bierdiajewa i Bronisława F. Trentowskiego

This article attempts at pointing to problems relating to creativity which appear in the philosophical conceptions of Nikołaj Bierdiajew and Bronisław F. Trentowski. Deep religiousness of Bierdiajew’s texts gives a specific shape to his works and the conception of creativity. The Russian philosopher...

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Bibliographic Details
Main Author: Rodolpho, Adriana Luisa (Author)
Format: Electronic Article
Language:Polish
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Published: Polskie Towarzyrtwo Religioznawcze 2013
In: Przegla̜d religioznawczy
Year: 2013, Issue: 1/247, Pages: 93-102
Online Access: Volltext (lizenzpflichtig)
Description
Summary:This article attempts at pointing to problems relating to creativity which appear in the philosophical conceptions of Nikołaj Bierdiajew and Bronisław F. Trentowski. Deep religiousness of Bierdiajew’s texts gives a specific shape to his works and the conception of creativity. The Russian philosopher reaches for tools of theology, antroposophy, and esoteric science to emphasize the contradiction between spirit and matter. God, the artist creates a man, an artist. It touches upon freedom, which makes us close to the Bergson’s creativity. Trentowski was a Polish "Messianist" philosopher and a Freemason, who was seeking for the sources and duties of philosophy in ideas and religions created by people themselves. Every man is deity, "self", religion. Thoughts of these two philosophers meet in the conception of creativity as one and only acceptable way of self-realization, even though in Bierdiajew’s thesis it is based on transcendent cooperation with God, while Trentowski chooses the Slavic faith. In the second conception, blind reception of holy books or priests’ commands is treated as passivity and incapacitation of man and thus, it excludes his independence and creativity.
ISSN:2658-1531
Contains:Enthalten in: Przegla̜d religioznawczy