Chakshudana or opening the eyes: seeing South Asian art anew

"Chakshudana or rituals of opening the eyes are practiced across multiple South Asian communities by artists, sculptors and priests. The ritual offers gods access to the mortal world, this practice applied to the study of art offers a distinctive perspective to interrogate the complex engagemen...

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Bibliographic Details
Contributors: Ghosh, Pika 1969- (Editor) ; Sohoni, Pushkar 1976- (Editor) ; Meister, Michael W. 1942- (Honoree)
Format: Print Book
Language:English
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WorldCat: WorldCat
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Published: London New York Routledge 2024
In:Year: 2024
Edition:First published
Series/Journal:Visual and media histories
Standardized Subjects / Keyword chains:B Asia / Picture interpretation / Material popular culture
Further subjects:B Asian History
B art & design styles / History of art
B Kunstformen
B Collection of essays
B Asiatische Geschichte
B Geschichte der Religion
B History of religion
B ARCHITECTURE / Generals / History
B Internationale Studien / Regionalstudien
B Anthropology
B Art, South Asian Congresses
B ART / Generals / History
B ART / Asian
B Meister, Michael W. 1942-
B Archaeology / SOCIAL SCIENCE
B Archaeology
B Generals / HISTORY
B Kunst: allgemeine Themen
B Art forms
B Regional Studies
B Art history
Online Access: Cover (Publisher)
Table of Contents
Description
Summary:"Chakshudana or rituals of opening the eyes are practiced across multiple South Asian communities by artists, sculptors and priests. The ritual offers gods access to the mortal world, this practice applied to the study of art offers a distinctive perspective to interrogate the complex engagements with paintings, sculptures, found objects, fragments, built environments, and ecologies. This volume takes as its focus the process of seeing-to look closely, remaining true to the object, but also to see widely, from multiple subjective stances and diverse bodily engagements from walking to dreaming, from glancing to looking askance, and hypnotic stares, and to see beyond the visible. It examines art history through nuanced considerations of materiality, aesthetics and regional specificities. The essays emerge from current research building on the contributions of Michael W. Meister, W. Norman Brown Distinguished Professor of History of Art and South Asia Studies at the University of Pennsylvania, whose works laid the foundations for the study of South Asian visual and material culture. The essays in this book underscore methodological resonances rather than privileging conventional categories of media or chronology exploring artistic media including temples and paintings, as well as Bengali quilted textiles, manuscript 'lozenges,' and metal repousse. This volume, part of the Visual Media and Histories Series, will be of interest to students and researchers of history of art, religious studies, history, as well as the allied disciplines of anthropology and folklore studies"--
Item Description:Includes bibliographical references and index
Physical Description:xxiii, 256 Seiten, Illustrationen
ISBN:978-1-032-20783-4
978-1-032-27121-7