Measuring Progress: The Ottoman Revival of Systematist Music Theory, c.1900
This article traces the historical and intellectual origins of modern Turkish music theory in the late Ottoman period. It examines debates about music theory in the Ottoman Turkish press during the 1880s and 1890s, focusing particularly on the earliest publications of Raʾūf Yektā (1288–1353/1871–193...
Main Author: | |
---|---|
Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Brill
2023
|
In: |
Oriens
Year: 2023, Volume: 51, Issue: 1/2, Pages: 127-154 |
Further subjects: | B
Raʾūf Yektā
B scientific positivism B Ottoman music B mathematical theories of pitch B Islamic Modernism |
Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
MARC
LEADER | 00000caa a22000002 4500 | ||
---|---|---|---|
001 | 1854864386 | ||
003 | DE-627 | ||
005 | 20230810054807.0 | ||
007 | cr uuu---uuuuu | ||
008 | 230809s2023 xx |||||o 00| ||eng c | ||
024 | 7 | |a 10.1163/18778372-12340024 |2 doi | |
035 | |a (DE-627)1854864386 | ||
035 | |a (DE-599)KXP1854864386 | ||
040 | |a DE-627 |b ger |c DE-627 |e rda | ||
041 | |a eng | ||
084 | |a 0 |2 ssgn | ||
100 | 1 | |e VerfasserIn |0 (DE-588)1129199630 |0 (DE-627)883842580 |0 (DE-576)486267725 |4 aut |a Olley, Jacob | |
109 | |a Olley, Jacob | ||
245 | 1 | 0 | |a Measuring Progress: The Ottoman Revival of Systematist Music Theory, c.1900 |
264 | 1 | |c 2023 | |
336 | |a Text |b txt |2 rdacontent | ||
337 | |a Computermedien |b c |2 rdamedia | ||
338 | |a Online-Ressource |b cr |2 rdacarrier | ||
520 | |a This article traces the historical and intellectual origins of modern Turkish music theory in the late Ottoman period. It examines debates about music theory in the Ottoman Turkish press during the 1880s and 1890s, focusing particularly on the earliest publications of Raʾūf Yektā (1288–1353/1871–1935). The article shows how the modern Turkish theory of pitch was created by Yektā and his collaborators through the rediscovery of Arabic and Persian treatises associated with the Systematist school of mathematical music theory, which flourished between the seventh/thirteenth and ninth/fifteenth centuries. It argues that this project to bring Ottoman music into the modern “age of progress” was shaped by the ideals of both scientific positivism and Islamic modernism. | ||
650 | 4 | |a scientific positivism | |
650 | 4 | |a mathematical theories of pitch | |
650 | 4 | |a Raʾūf Yektā | |
650 | 4 | |a Islamic Modernism | |
650 | 4 | |a Ottoman music | |
773 | 0 | 8 | |i Enthalten in |t Oriens |d Leiden [u.a.] : Brill, 1948 |g 51(2023), 1/2, Seite 127-154 |h Online-Ressource |w (DE-627)504272314 |w (DE-600)2213264-8 |w (DE-576)251711080 |x 1877-8372 |7 nnns |
773 | 1 | 8 | |g volume:51 |g year:2023 |g number:1/2 |g pages:127-154 |
856 | |u https://brill.com/downloadpdf/journals/orie/aop/article-10.1163-18778372-12340024/article-10.1163-18778372-12340024.pdf |x unpaywall |z Vermutlich kostenfreier Zugang |h publisher [open (via page says license)] | ||
856 | 4 | 0 | |u https://doi.org/10.1163/18778372-12340024 |x Resolving-System |z kostenfrei |3 Volltext |
856 | 4 | 0 | |u https://brill.com/view/journals/orie/51/1-2/article-p127_6.xml |x Verlag |z kostenfrei |3 Volltext |
935 | |a mteo | ||
951 | |a AR | ||
ELC | |a 1 | ||
ITA | |a 1 |t 1 | ||
LOK | |0 000 xxxxxcx a22 zn 4500 | ||
LOK | |0 001 4364014737 | ||
LOK | |0 003 DE-627 | ||
LOK | |0 004 1854864386 | ||
LOK | |0 005 20230809055507 | ||
LOK | |0 008 230809||||||||||||||||ger||||||| | ||
LOK | |0 035 |a (DE-Tue135)IxTheo#2023-08-08#D060B5DE5FEAE4BF763E104F8D780B4587112767 | ||
LOK | |0 040 |a DE-Tue135 |c DE-627 |d DE-Tue135 | ||
LOK | |0 092 |o n | ||
LOK | |0 852 |a DE-Tue135 | ||
LOK | |0 852 1 |9 00 | ||
LOK | |0 935 |a ixzs |a zota | ||
OAS | |a 1 | ||
ORI | |a SA-MARC-ixtheoa001.raw | ||
REL | |a 1 | ||
SUB | |a REL |