Gesamtkunstwerk Oper - Kurze philosophische Rezension anlässlich der Aufführung aller Bühnenstücke Richard Wagners durch Ulf Schirmer an der Oper Leipzig

The commentary on the performance of all of Richard Wagner's stage plays at the Leipzig Opera is not a review of academic literature, but it belongs in a philosophical review insofar as Wagner himself considered his plays to be philosophical. It is a reminder of a time when opera in cathedrals...

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Bibliographic Details
Published in:Philosophische Rundschau
Main Author: Stekeler, Pirmin 1952- (Author)
Format: Electronic Article
Language:German
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Published: Mohr Siebeck 2023
In: Philosophische Rundschau
RelBib Classification:KAH Church history 1648-1913; modern history
KAJ Church history 1914-; recent history
KBB German language area
NBE Anthropology
NBF Christology
NCF Sexual ethics
Further subjects:B Chastity
B Sin
B Display
Online Access: Volltext (lizenzpflichtig)
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Summary:The commentary on the performance of all of Richard Wagner's stage plays at the Leipzig Opera is not a review of academic literature, but it belongs in a philosophical review insofar as Wagner himself considered his plays to be philosophical. It is a reminder of a time when opera in cathedrals of the bourgeoisie was supposed to represent a new kind of religio. It belongs at least to the history of cultural spirit as it leads from ancient tragedy through all Mediterranean liturgies to the art business of the present. Paradigmatic is the conclusion of Parsifal, in which Jesus is identified with the Grail King, Cundrie la sorcière with Mary Magdalene, and a redemption of the Redeemer is conveyed by the initially dumb but then worldly-wise Parsifal. It consists in the absolutely revolutionary insight for any decent religion that there is nothing, absolutely nothing, sinful about sexual love.
ISSN:1868-7261
Contains:Enthalten in: Philosophische Rundschau
Persistent identifiers:DOI: 10.1628/phr-2023-0024