Ritual Action and Its Consequences: Libai (Ritualized Prostration) in Medieval Daoist Rituals
Chinese Buddhists in the Eastern Han initially employed the term libai to denote a supreme ritual performed by believers and disciples when meeting the Buddha. Deeply rooted in an Indian ritual greeting tradition, libai consisted of the action of touching the ground with the forehead. Buddhist vinay...
| Published in: | Religions |
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| Main Author: | |
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
MDPI
2023
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| In: |
Religions
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| Further subjects: | B
Daoism
B Ritual B Prostration B Chinese Buddhism B libai |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
| Summary: | Chinese Buddhists in the Eastern Han initially employed the term libai to denote a supreme ritual performed by believers and disciples when meeting the Buddha. Deeply rooted in an Indian ritual greeting tradition, libai consisted of the action of touching the ground with the forehead. Buddhist vinayas regulated the performance of libai for senior or sick saṃgha members. In accordance with the ritual rationale of pūjā, libai was frequently used, along with other ritualized actions, for worshiping Buddhist statues and sūtras. The Daoists appropriated libai as a ritual technique in complicated ways. Several pre-5th century texts appeared to apply the term to describe a solemn greeting ritual for high-ranked deities. Since the 5th century, Numinous Treasure and Celestial Master Daoists have provided divergent understandings and usages of libai in their rituals. Specifically, Lu Xiujing considered libai to be a major part of the retreat that functioned to cultivate the body. The end of the 6th century witnessed the continuation of employing libai in the rituals worshiping the Daoist Three Treasures. Its diversity and significance were acknowledged by the early Tang Daoist monastic codes. The lawful performance of libai, interpreted by Zhang Wanfu, associated the body with the mind, and manifested the utmost sincerity. |
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| ISSN: | 2077-1444 |
| Contains: | Enthalten in: Religions
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| Persistent identifiers: | DOI: 10.3390/rel14121468 |